Marginalia #45

I discovered Weirdpunk Books last year while writing for Horror DNA. Something about their aesthetics and themes resonates with me. Sometimes it reminds me of the high/low friction in early David Cronenberg films (for example, ontology meets body horror). I feel like they are fulfilling some of the promises of the Dell/Abyss line that started … Continue reading Marginalia #45

Marginalia #44

I read my kids The Little House books when they were little. At some point, they got obsessed with the show and I couldn’t help the nostalgia of the theme song and watched a few episodes with them. I kept thinking, “Why do I know ‘Charlotte Stewart’?” Then it clicked. Mary X from Eraserhead! I … Continue reading Marginalia #44

Marginalia #43

First time listen with headphones and I love hearing some previously unnoticed details in the arrangements. Though I was told repeatedly about the guitar playing, it never interested me. On this listen, I found it more exciting than in the past and I especially loved the guitar tones. “Inca Roads” is an all-time favorite–Zappa or … Continue reading Marginalia #43

Marginalia #42

Carrington exquisitely captures the moods of her paintings in her stories–disturbing, playful, strange. They read a little like Kafka’s parables or the dreams and nightmares of Angela Carter’s characters. With a symbolic density equal to poetry, well worth re-reading. If you liked Riki-Oh: The Story of Ricky, then I highly recommend The Cat (1992). Lam … Continue reading Marginalia #42