Marginalia #26
Some more from the margins and a new Musicalia playlist! Continue reading Marginalia #26
Some more from the margins and a new Musicalia playlist! Continue reading Marginalia #26
Some notes from the week and the Musicalia playlist. Continue reading Marginalia #25
Although I haven’t read the academic literature on folk horror, Ingham’s introductory guide to the genre was a delightful read. Ingham illuminates the defining characteristics of this enigmatic genre, while also exploring the edges where its boundaries blur and fracture. Ingham’s curated list of films captures the unsettling essence of folk horror. Last Friday, I … Continue reading Marginalia #24
Some more words scrawled in the margins and the Musicalia playlist. Continue reading Marginalia #23
The weekly marginalia and musicalia. Continue reading Marginalia #20
That cover/poster will probably tell you as much as you need to know. Either that image draws you in, or you reel with disgust. That last one is the smart decision. It’s not the one I made or ever make when presented with so many cinematic possibilities. The movie is hysterically stupid and I loved … Continue reading Marginalia #18
I was able to read the second edition that’s coming out next year. Great as a reference, especially if you consider the scores and credits sequences more interesting than most shows themselves. It’s fascinating to get an insight into the process and how it changed over time. The arrangers must have been mainlining speed in … Continue reading Marginalia #14
A fascinating history for the film obsessive in your life. While being focused on the development of synching sound to image in movies, it is also a decent history of the studio system. If you’re already interested in the morbid, melancholic, and macabre, then there will be some old friends here. I found the biggest … Continue reading Marginalia #13
An epic about change and organized around the history of the world. I can’t imagine any reader not knowing some of these stories. I had been meaning to read the whole thing for years, especially after coming across Samuel Beckett’s enthusiasm for it. I can only remember offhand Beckett celebrating Proust, Joyce, and Ovid. Beckett’s … Continue reading Marginalia #2