At Horror DNA: Wild Bones Review
My latest review from Film Maudit 2.0 is of Wild Bones. Continue reading At Horror DNA: Wild Bones Review
My latest review from Film Maudit 2.0 is of Wild Bones. Continue reading At Horror DNA: Wild Bones Review
I Like Bats (1986) follows a young Polish vampire as she navigates the difficulties of love after she falls for a psychiatrist. Wonky in a fun way. Part of the House of Psychotic Women set. I’ve been blasting Model Citizen’s 2006 Save It for the Campfire while I get ready for the new album coming … Continue reading Marginalia #17
I was able to check out some of the features at the Film Maudit 2.0 Festival. Continue reading At Horror DNA: Zeria Review
Comedic anarchy that feels like the Marx Brothers meets MAD Magazine–though MAD didn’t exist in 1941. There’s a great dance sequence provided by Whitey’s Lindy Hoppers with music by Slim Gaillard and Slam Stewart. Beauty! I can’t explain the excitement of discovering this release. Blood Harvest features Tiny Tim as a potential killer clown. The … Continue reading Marginalia #16
Ahh…the Sight and Sound list of greatest films. I’m glad I don’t take those things seriously anymore. I do appreciate seeing the variety of critics’ lists because it challenges me to see movies I may not have come across on my own. Finally saw Vigo’s last film, L’Atalante, which I had confused with von Sternberg’s … Continue reading Marginalia #15
I’ve got a new review over at Horror DNA. Some disappointing news this weekend. AMC Networks, the parent company of Shudder, is laying off personnel, including key people at the horror-streaming service. While I love the various free services out there, especially the ones offering cult films, Shudder has been producing amazing original content, and … Continue reading At Horror DNA: Blood Relatives Review
I was able to read the second edition that’s coming out next year. Great as a reference, especially if you consider the scores and credits sequences more interesting than most shows themselves. It’s fascinating to get an insight into the process and how it changed over time. The arrangers must have been mainlining speed in … Continue reading Marginalia #14
I reviewed Moonchild over at HorrorDNA. Continue reading At HorrorDNA: Moonchild Review
A fascinating history for the film obsessive in your life. While being focused on the development of synching sound to image in movies, it is also a decent history of the studio system. If you’re already interested in the morbid, melancholic, and macabre, then there will be some old friends here. I found the biggest … Continue reading Marginalia #13