Tag: film

Posted on

Marginalia #13

A fascinating history for the film obsessive in your life. While being focused on the development of synching sound to image in movies, it is also a decent history of the studio system. If you’re already interested in the morbid, melancholic, and macabre, then there will be some old friends here. I found the biggest … Continue reading Marginalia #13

Posted on

Marginalia #12

Not necessarily about Twin Peaks, but about what the show has meant to fans, specifically women who have experienced trauma. I was a little disappointed at first, since I expected more of an analysis of the show, but I realized that I wasn’t the intended audience. I still got a lot from it. Plenty of … Continue reading Marginalia #12

Posted on

Marginalia #10

I feel like I read too many surveys or books that cover a range of topics. This one is certainly an antidote to that. A fascinating, academic look at ilanot (something like Maps of God or Trees of Life) from around 1300 to the initial era of printing. Besides captivating art, this book is an … Continue reading Marginalia #10

Posted on

Marginalia #9

I’ve been rereading some classic horror including Sheridan Le Fanu’s Carmilla and Stoker’s Lair of the White Worm. Le Fanu is the better writer and sets up a lot for Stoker’s Dracula almost three decades later. These and M. R. James’s ghost stories have filled up my October reading. Kyua (Cure, 1997) is part of … Continue reading Marginalia #9

Posted on

Marginalia #5

More interesting and insightful than I thought it was going to be. Australian folk horror from the early 80s. A precursor to Hereditary, maybe? Genuinely bad, but possibly fun for those with a penchant and the patience for horror on a low budget in the 80s. Takes on apartment horror/possession. Some hilarious dialogue hilariously delivered. … Continue reading Marginalia #5

Posted on

Marginalia #3

An annotated discography for sound and sound art at the fringes. You could probably get all Benjamin and Adorno on these genres and ideas, but Tau keeps the critical machinery to a minimum and often approaches the pieces and artists very practically. What draws us toward or away from these sounds? What does one get … Continue reading Marginalia #3