Marginalia #15

Ahh…the Sight and Sound list of greatest films. I’m glad I don’t take those things seriously anymore. I do appreciate seeing the variety of critics’ lists because it challenges me to see movies I may not have come across on my own. Finally saw Vigo’s last film, L’Atalante, which I had confused with von Sternberg’s … Continue reading Marginalia #15

Marginalia #14

I was able to read the second edition that’s coming out next year. Great as a reference, especially if you consider the scores and credits sequences more interesting than most shows themselves. It’s fascinating to get an insight into the process and how it changed over time. The arrangers must have been mainlining speed in … Continue reading Marginalia #14

Marginalia #13

A fascinating history for the film obsessive in your life. While being focused on the development of synching sound to image in movies, it is also a decent history of the studio system. If you’re already interested in the morbid, melancholic, and macabre, then there will be some old friends here. I found the biggest … Continue reading Marginalia #13

Marginalia #12

Not necessarily about Twin Peaks, but about what the show has meant to fans, specifically women who have experienced trauma. I was a little disappointed at first, since I expected more of an analysis of the show, but I realized that I wasn’t the intended audience. I still got a lot from it. Plenty of … Continue reading Marginalia #12

Marginalia #9

I’ve been rereading some classic horror including Sheridan Le Fanu’s Carmilla and Stoker’s Lair of the White Worm. Le Fanu is the better writer and sets up a lot for Stoker’s Dracula almost three decades later. These and M. R. James’s ghost stories have filled up my October reading. Kyua (Cure, 1997) is part of … Continue reading Marginalia #9