Marginalia #42

Carrington exquisitely captures the moods of her paintings in her stories–disturbing, playful, strange. They read a little like Kafka’s parables or the dreams and nightmares of Angela Carter’s characters. With a symbolic density equal to poetry, well worth re-reading. If you liked Riki-Oh: The Story of Ricky, then I highly recommend The Cat (1992). Lam … Continue reading Marginalia #42