I think I’ve garnered more rejections in the last year than I’ve ever received. The takeaway from that is that I’m submitting more than I used to. Sometimes that makes the process seem easier and sometimes it doesn’t. Lost Chords and Serenades Divine #2 is available for your perusal. Boudu Saved from Drowning (1932) … Continue reading The Week That Was, or Down and Out on Electronic Submission Platforms
Along with trying to meet some deadlines, I’ve been getting time in with the kids and their wonderful goofiness. Even in winter, the three-year-old seems to be allergic to pants. I am also watching videos about changing dryer heating elements. ‘Tis the season, I guess. Part of a conversation I heard last night: 3YO: *Leaps … Continue reading The Week That Was, or Poverty Row Double Feature
Titles in bold are ones I particularly liked. Animated “Drums West” (1961) Documentary Art / Literature Poetry in Motion (1982) Music Ornette: Made in America (1985) Art House Nostalgia (1983) Horror / Sci-fi / VHS Weirdness The Black Cat (1981) Death Watch (1980) The Alchemist Cookbook (2016) Everything Else The Friends of Eddie Coyle (1973) … Continue reading Some recent viewing…
Over the last few years, I’ve posted mega-lists of works I’m either just starting to chew on or digesting. I’ve tried to write about this more frequently this year. Titles in bold are ones I particularly liked. If you’re interested, I posted a Criterion and AFI Top 100+ lists this year, too. Animated “Logorama” (2009) … Continue reading Some recent viewing…
I assume that like many others, my initial interest in this book was in Wim Wenders. It also caught my attention that this was about my favorite movie of his, Paris,Texas (1984), and that the interviews were done during filming. I was hoping that the book would then be a peek into the process that … Continue reading Relating to an Irrelatable World: Melinda Camber Porter in Conversation with Wim Wenders
It’s been a while since I started this, but my attention had to go to the new school year and my oldest started school as well. I needed to finish an interview. Follow the links, if you’re interested, to Parts I, II, and III. Jaws (1975) Jaws is more important to me than Star Wars … Continue reading But, man, you’re never going to get any truth from us: The AFI Top 100, Part IV
Here are the next five in chronological order. You can read the original posts here and here. Also, the “featured image” for this post on my menu is courtesy of Jason Munn. Check out more of his often minimal and geometric work at his website. Great stuff! My Favorite 20 of AFI’s Top 100+ High … Continue reading If I do what you tell me, will you love me?: The AFI Top 100, Part III.
After I posted about watching the AFI Top 100, a former student asked me about recommendations from the Criterion Collection (Hello Lydia! Hope all is well! Hope you find something you like here!). I’ve seen a small percentage of the Collection, and as a film obsessive choosing one to watch can be mentally crippling, much … Continue reading We Interrupt This List Already in Progress to Bring You Another List Already in Progress.
Here are the next five in chronological order. You can read the original post here. Five More of My Favorite 20 of AFI’s Top 100+ Stagecoach (1939) Though there are moments of visual sublimity in The Searchers (1956), I’ll have to go with Stagecoach here as a personal favorite. I’ve never been much of a … Continue reading There Are Things Swimming In Us That We Love. The AFI Top 100, Part II.
