I’ve been rereading M.R. James’s stories. He’s most associated with ghost stories and quiet horror, but as an influence on Lovecraft there are plenty of creepy crawlies for those kinds of fans. I get why they seem archaic to some contemporary readers. Jacobi’s readings are perfect in the audiobooks.
Puppets and animation in a serious horror film? Indeed. And then some. Not the scariest thing I’ve seen, but what a blast. This one features different monster sequences inside a storyline involving a rich landowner attempting to destroy a neighborhood and build a brothel on it. Blocking his way are a rōnin and the 100 Monsters.
American colonial folk horror! Way better than it should be. I see why it’s had a resurgence along with the current interest in the genre. The movie looks like PBS shows did in the ’80s, yet the effects and mood somehow work extremely well.
The Comet Is Coming’s new album Hyper-Dimensional Expansion Beam is a fantastic blend of jazz and electronics. I’ve seen them referred to as a cosmic jazz rave trio. Fans of Sons of Kemet might enjoy this one.
Undeciphered’s newest album of insane brutal death metal. Some great rhythms and a really unique drum sound anchored by a snare that pings more than rings. The vocals are literally gargles at points.
Obviously not for everyone.
Joel Nelson’s Chez Nous came out today. Noise and electronics–I’m assuming. He makes great use of storm recordings on these tracks and I just overall enjoy the moods and textures.
All proceeds go to an animal adoption charity.
Paul Westerberg’s gorgeous alternate version of his song at least partially about Sylvia Plath. My friend Paul led me to this one.
Ellen Drew and her jack o’lanterns.
Stephen McClurg 