Our just-turned-four-year-old makes dinner a full contact event. We quit trying to play into her attempts at doing anything but eating, so we just hope that she eats a few forkfuls of something. Every now and then she eats a whole dinner or just ignores it.
This week I had asked her to eat a few times and she just wasn’t interested. We have leftover Easter candy and she and her sister get a little bit for dessert if they eat their meals. Evidently, I enforce Draconian dining rules.
At the point we figured she just wasn’t going to eat, she decided to distract us. “I’m going to draw a picture of the family. First, I’m going to draw Daddy, who doesn’t listen…he looks like a crazy old lady with lasagna on his nose.”
One nostril seemed to go into some sort of allergic shock while I was administering the ACT exam. Half an allergy. I don’t know. It quit after 48 hours.
Meanwhile, the four-year-old reminds me every day that it’s ok to step on the pine catkins because they aren’t worms.
That explains some of the nightmares….
Driving through fog and from a wedding reception, the children got into an argument that devolved into tears and shouts. The argument was about whether or not “Starlight” was a good name for the vacuum. I told them they had to stop. They went to sleep.
I don’t really understand Pinterest yet. Mostly I look at pictures of libraries, studies, and studios. Probably a kind of wish-fulfillment. Maybe I do understand Pinterest. Anyway, I was fascinated by their choices for me:
I was able to return to Lost Chords this week with a short review on the Angles 9 record Disappeared Behind the Sun.
Another record I found surprising is Sun O)))’s Monoliths and Dimensions. I physically couldn’t listen to more than one track at a sitting because of the intensity of the experience. I recommend listening on a nice loud system or good headphones. I had never heard the band before and I just can’t imagine what a live set is like.
I’ve been listening and learning Black Sabbath tracks for fun. After the flood, I had to go through my instruments for damage (just the upright needs some repairs), but they all need some TLC. It’s been exciting to dig back into playing music again after so many years away from it.
“Monkey Love Experiments” (2014), partially based on the Harlow surrogate mother experiments, is a beautiful and beautifully sad short film about a monkey who believes it is going to the moon. There’s an amazing amount of information in this nine-minute film, but it never feels forced. It’s partially filmed in stop-motion, one of my favorite techniques, but it also skillfully blends computer and live-action effects.
Bill Frisell is an astonishing musician and a rarity. He has always seemed in control of his ego and has never been afraid of melody or tenderness or complexity. He’s engaging on recordings and live. Bill Frisell: A Portrait (2017) traces his life and career up to the present.