Geese and ducks have returned with their young. We’ve been walking around the pond looking at greeny goslings, all fuzzy like they got stuck under a hair dryer. We’ve also seen ducklings swim behind their parents in those cute little lines that I don’t think I’ve ever seen in person–only on cartoons or in storybooks.
My own little one holds hands and walks around cast-n-boot. She gets tired faster than usual, but that’s to be expected. She told me, “Someone needs to tell them geeses not to poop where humans can see it.” After we passed the family of geese, we passed two more standing at the edge of the water. She said, “That must be grandma and grandpa.”
The older one runs ahead of us on the trail and back again, only to run way out ahead of us again.
Despite broken bones, boxes, and the bustling beginning of the end of another school year, these are good days.
I was really feeling that and then I read about new research on the spread of ticks and their pathogens.
Anyway, I wrote about Stump’s Quirk Out for my latest Lost Chords & Serenades Divine.
I’ve been meaning to re-read Black Hole for a while, but I came across his trilogy at the library recently and decided to read that instead. I devoured all three in a matter of hours. There are Tintin and Burroughs references, and an InterZone-like setting that sometimes feels like Moebius interpreting Cronenberg. I just swallowed the thing whole and really haven’t digested it. Burns is doing some cool stuff at the level of image (these grids that represent each part of the story among, obviously, a ton of others) and color.
There is a way that by the time I got to the end I felt like I was reading Burns’s blasted sci-fi version of something like the autobio comics that cover grief and loss. I guess that’s similar to how he explored the coming-of-age story in Black Hole.
I don’t really watch TV shows, much less binge-watch, but I inhaled these comics.
My ears totally rejected this the first time I heard it in high school. Too bright. Too clean. Too happy. Hearing it now, it reminds me of a lot of TV and film music I heard growing up. In college, I saw a concert video of Clarke on upright and he showed an amazing command of an instrument I was struggling with at the time. I listened to School Days again. Still didn’t like it.
There’s fantastic talent on this record. Plenty of fusion royalty. McLaughlin. Cobham. Gadd. George Duke! I don’t dislike it the way I did in high school, but it’s not something that excites me too much either. Gadd’s drum track on “Quiet Afternoon” is nice. I like hearing Clarke’s approach to upright on “Desert Song.” “Hot Fun” is well-titled.
The cover is pretty great. So is this video of George Duke jamming on “School Days” with a keytar. I first heard Duke on Zappa records. Music just pours out of him. He makes everything he does look effortless. There’s such a beauty and joy in that–even when I’m not particularly excited about the music itself.
I like red peppers and Jan Švankmajer movies.
1. Current Listening: Lots of soul from Muscle Shoals
2. Current Viewing: A Hard Day's Night (1964).
3. Current Reading: H.G. Wells: In the Days of the Comet