Probably not even good by most standards, but I still found it entertaining. Rooney is a makeup artist who has taken a young woman captive. This feels like Lynch’s early short “The Grandmother” combined with an after school special on insanity. Like a student film with a few striking visuals.
I saw Dune a lot when I was growing up. It felt like visiting an alien world because I never grasped what was going on. I love many of the visuals–Giedi Prime, the stillsuits, the sand worms!
This was my first viewing after reading the books and that significantly alters the viewing experience. It shouldn’t be a prerequisite for an adaptation, but it pays dividends here.
Plenty of issues, so I understand why many don’t like it. Lynch can’t direct large scale action sequences. Too many clunky voiceovers. Even so, I think I like it more than I used to.
Great jazz record featuring Charles Mingus on bass and released on his label. Thad Jones is new to me, but I’m definitely going to check out more.
I love archival recordings of all kinds and this was an interesting find and an unexpected joy.
I mean you can gather what’s going on by the title and two subtitles. I didn’t think I’d like it either, but I’ve been listening to it off and on for a week.
I reviewed Abruptio over at Horror DNA.
Over at Tidal I have a new playlist–Musicalia #18: The top hat wore an octopus.
Here’s how the AI wanted to close out this edition:
Marginalia has always been a fascinating aspect of literature. These scribbles, scribblings, and notes that line the margins of old texts have evolved from mere inscriptions to a form of art in themselves. Marginalia often contains intricate and detailed designs that elevate the humble book into a canvas for artistic expression.
The 27th edition of Marginalia delves into the world of artistic annotations. Whether it’s small sketches, fanciful drawings, or intricate decorations, these annotations provide an added aspect of personality to a book, giving readers a glimpse into the mind of the creator. From medieval illuminated manuscripts to modern day comics, marginalia has been a means for artists to inject their personal narrative into their work.
Some marginalia may seem random or meaningless at first glance, but the more you inspect them, the more their intended meaning is revealed. They often contain hidden messages, codes, and symbols that offer a window into the creator’s psyche. They give us a chance to see the intersection of art and literature.
One of the most iconic examples of artistic marginalia is the drawing that Leonardo da Vinci included in his sketchbooks. These drawings are not just artworks in themselves but also offer practical insight into the mind of a true genius. Another notable example is the annotations made by J.R.R. Tolkien in his personal copy of The Lord of the Rings. His drawings were essential to his writing process, allowing him to visualize his imagined worlds and develop his stories more fully.
Marginalia may often be overlooked or discarded, but they are an integral part of our shared cultural history. They give us glimpses into the everyday lives of people across time, and add a unique layer of depth and meaning to the texts they adorn. Next time you come across an old book, take a closer look at the edges of the page – there might be a story waiting there for you to discover.
Stephen McClurg 